Haralabos [Harry] Stafylakis

The Keats Cycle

$35.00

Duration: 19'

Instrumentation: Baritone or Bass Baritone and Piano

Instrumentation: Voice and Piano
Delivery Method: Physical Delivery
Performance Materials: Score and Parts

The Keats Cycle, Haralabos [Harry] Stafylakis (2007)
for baritone or bass-baritone and piano
on poetry by John Keats (1795-1821)

Composed in the summer and fall of 2007, The Keats Cycle represents an attempt to express the pure and introspective poetry of John Keats (1795-1821) through a musical discourse that would somehow be appropriate to both Keats’s 19th-century world and the composer’s 21st-century one. The cycle unites five posthumous poems by Keats, as well as the poet’s epitaph, in an order that creates a sense of philosophical unity and direction. The dramatic-musical interpretation of the texts traces a conceptual line from youthful idealism, through to self-doubt, self-realization, death, and finally to apotheosis.

Movements:
1. How fever’d is the man
2. The day is gone
3. Why did I laugh to-night?
4. Vocalise: Here lies one whose name was writ in water
5. This living hand
6. Bright star

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128-029-SP
Instrumentation: Voice and Piano
Delivery Method: Physical Delivery
Performance Materials: Score and Parts

About the Work

Duration: 19'

Movements:
1. How fever’d is the man
2. The day is gone
3. Why did I laugh to-night?
4. Vocalise: Here lies one whose name was writ in water
5. This living hand
6. Bright star

Instrumentation: Baritone or Bass Baritone and Piano

Composed in the summer and fall of 2007, The Keats Cycle represents an attempt to express the pure and introspective poetry of John Keats (1795-1821) through a musical discourse that would somehow be appropriate to both Keats’s 19th-century world and the composer’s 21st-century one. The cycle unites five posthumous poems by Keats, as well as the poet’s epitaph, in an order that creates a sense of philosophical unity and direction. The dramatic-musical interpretation of the texts traces a conceptual line from youthful idealism, through to self-doubt, self-realization, death, and finally to apotheosis.

Pages: 42