Kristin Kuster

Dune Acres

$120.00

Duration: 18'

Instrumentation: Orchestra (3.2.2.2/4.3.3.1/2 perc/hp/str)

Performance Materials: Full Score
Delivery Method: PDF Download

Dune Acres, Kristin Kuster
for orchestra

Dune Acres is an eighteen-and-a-half minute piece for orchestra, with generous support from the Broadcast Music, Inc. (BMI) Ralph N. Jackson commission. The most dazzling place I knew as a kid was my grandparents' house in Nkorthern Indiana's Dune Acres, on the south shore of Lake Michigan. With architectural characteristics of Bauhaus and the International Style, the house was supreme funkytown: cool angles everywhere, half-walls, a bewindowed breakfast nook that jetted out over trees, and the "yard" of dunes and beach. I wrote my first music in Dune Acres, and the house itself ignited my love and study of modern architecture. Our family visited there most summers of my childhood, and when the weather held we spent long lazy mornings at the lake. After lunch, while others napped, I snuck outside and made up songs, sang with the crickets, waves and trees. My grandparents and parents are no longer living, and the music of Dune Acres will serve as a thank-you note to them and the magnificence of our Great Lakes. Dune Acres is where I became a composer, and our visits there housed my discovery of the utter funness of writing music. Sometimes, I went out alone in the rain. 

Orchestra Instrumentation: 3.2.2.2/4.3.3.1/2 perc/hp/str

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121-008-FSe
Performance Materials: Full Score
Delivery Method: PDF Download

About the Work

Duration: 18'

Movements:
I. A kid. A Station Wagon. Colorado to Indiana.
II. The Great Lake Is Still. The Fog Rolls In
III. Immersed In The Great Lake

Instrumentation: Orchestra (3.2.2.2/4.3.3.1/2 perc/hp/str)

Commissioned by: Co-presented by the Detroit Symphony Orchestra & the BMI Foundation. Commissioned in honor of Ralph N. Jackson by the BMI Foundation

Dune Acres is an eighteen-and-a-half minute piece for orchestra, with generous support from the Broadcast Music, Inc. (BMI) Ralph N. Jackson commission. The most dazzling place I knew as a kid was my grandparents' house in Northern Indiana's Dune Acres, on the south shore of Lake Michigan. With architectural characteristics of Bauhaus and the International Style, the house was supreme funkytown: cool angles everywhere, half-walls, a bewindowed breakfast nook that jetted out over trees, and the "yard" of dunes and beach. I wrote my first music in Dune Acres, and the house itself ignited my love and study of modern architecture. Our family visited there most summers of my childhood, and when the weather held we spent long lazy mornings at the lake. After lunch, while others napped, I snuck outside and made up songs, sang with the crickets, waves and trees. My grandparents and parents are no longer living, and the music of Dune Acres will serve as a thank-you note to them and the magnificence of our Great Lakes. Dune Acres is where I became a composer, and our visits there housed my discovery of the utter funness of writing music. Sometimes, I went out alone in the rain.

Pages: 69