Isaac Mayhew, arr. Josh Trentadue

"the fatuous"

$235.00

Duration: 7'45"

Instrumentation: Wind Ensemble

Delivery Method: Physical Delivery
Performance Materials: Score and Parts

"the fatuous" from "The Eternal Present" Symphony No. 1 (2024) 7'45"
Prelude & Scherzo for wind ensemble
Composed by Isaac Mayhew
Arranged by Josh Trentadue

"The Fatuous" is the final movement of this symphony, a culmination of everything that has come before—both with regard to the musical material established and developed in the preceding three movements, but also in that it takes a 10,000-foot view of the ideas explored therein. "Fatuous", an adjective, is generally defined as "silly and pointless". This piece weaves together the various motifs and themes introduced earlier, but from a perspective that might seem nonsensical or even absurd. It explores the idea that, when viewed from a distance, many of our struggles and triumphs can appear insignificant or comical. This piece also serves as a reminder of the folly in taking ourselves too seriously, encouraging a sense of humility and a recognition of the broader, often chaotic, tapestry of life.

Ultimately, my first symphony "The Eternal Present" is a reflection on how we interpret our place in the world amidst uncertainty and change. It suggests that while we may not always see the bigger picture or understand what lies ahead, there is value in embracing the present moment in all its complexity. Through its four movements, the symphony aims to capture the human experience, with all its significance, triviality, profundity, and absurdity, reminding us to find meaning and joy in the unpredictable flow of life.

Instrumentation:
Piccolo, flute 1-4, oboe 1-2, english horn, clarinet in Eb, clarinet in Bb 1-4, bass clarinet 1-2, contrabass clarinet, bassoon 1-2, contrabassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, trumpet 1-4, horn 1-4, trombone 1-3, bass trombone, euphonium, tuba, harp (opt.), piano, double bass, timpani, percussion 1-6

Commissioned by Dr. Matthew Arau & the Lawrence University Symphonic Band as part of a consortium including Saint Paul Central High School Wind Ensemble (Matthew Oyen, director) and Edina High School Band Program (Paul Kile, director). 

Premiered as part of the 150th Anniversary of the Lawrence University Conservatory of Music.

Shipping & Returns

Physical copies ship in 2-3 business days.
Digital copies delivered to customer email upon checkout.

Returns accepted for physical copies within 30 days of delivery.
Returns are not accepted for digital products.
162-005-SP
Delivery Method: Physical Delivery
Performance Materials: Score and Parts

About the Work

Duration: 7'45"

Instrumentation: Wind Ensemble

Commissioned by: Commissioned by Dr. Matthew Arau & the Lawrence University Symphonic Band as part of a consortium including Saint Paul Central High School Wind Ensemble (Matthew Oyen, director) and Edina High School Band Program (Paul Kile, director).

"The Fatuous" is the final movement of this symphony, a culmination of everything that has come before—both with regard to the musical material established and developed in the preceding three movements, but also in that it takes a 10,000-foot view of the ideas explored therein. "Fatuous", an adjective, is generally defined as "silly and pointless". This piece weaves together the various motifs and themes introduced earlier, but from a perspective that might seem nonsensical or even absurd. It explores the idea that, when viewed from a distance, many of our struggles and triumphs can appear insignificant or comical. This piece also serves as a reminder of the folly in taking ourselves too seriously, encouraging a sense of humility and a recognition of the broader, often chaotic, tapestry of life. Ultimately, my first symphony "The Eternal Present" is a reflection on how we interpret our place in the world amidst uncertainty and change. It suggests that while we may not always see the bigger picture or understand what lies ahead, there is value in embracing the present moment in all its complexity. Through its four movements, the symphony aims to capture the human experience, with all its significance, triviality, profundity, and absurdity, reminding us to find meaning and joy in the unpredictable flow of life.

Pages: 35